I have achieved the point in my rejection-collecting career that my response to filling out a cover letter is not despair, but rather "Oh thank the gods, they don't want a short bio."

Also my spreadsheet is earning its keep; I saw a deadline was hitting, scanned my list of unsold stories to see what fit the qualifications, confirmed I hadn't submitted it to that venue, and just did the damn thing.
graydon: (Default)

From: [personal profile] graydon


Very likely you shall!

And, well, new skills take practice. I'm still kinda blinking at the "another novel" feeling. Someday I might write a short story.
graydon: (Default)

From: [personal profile] graydon


I might not be the best person to comment on the nicheyness of novels!

Short stories is a lot to turn not enough time/brain into. "What happened today" seems like an applicable heuristic, too. (I have no idea how to apply it, but it seems applicable.)
kaifu: image of the kanji characters for kaifu (Default)

From: [personal profile] kaifu


Short bios are the worst. Even though I already have a boilerplate one, I still hate sending it.

For me, it's for talks and sometimes publications rather than fiction submissions, but still. Why can't you just judge my work without knowing anything about me? -_-;

But yay getting a story out there relatively easily! Fingers crossed on it selling.
kaifu: image of the kanji characters for kaifu (Default)

From: [personal profile] kaifu


Sounds about right. I always wonder how many people actually are able to blithely write out a short bio for themselves without hitting any awkward feelings around gender identity, ethnic identity/race, privacy concerns, or other issues that ought not to impact their work but might if the bio details get associated with the work. (Even if that might be positive, not everyone wants their personal experience to be required to validate their work.) From the way people ask for these things, the assumption seems to be that it’s no big deal, but wow is that coming from a position of privilege.
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