I want to commit artwork.

[kiya]

(Thought provoked by one of elisem's entry-concluding questions.)

I don't really know how to work with metal, and I don't have the . . . parts.

I wonder if the museum I dimly remember from my childhood as being in Southie still exists, and still sells random scraps and cast-away . . . bits.

I wonder if there's somewhere in Boston like the place brooksmoses pointed out at one point, as being a place where one could get odds and ends and bits and scraps. I think that was something he said, but my memory is shot. . . so I'll ask.

I want to commit artwork with edges. I want to commit artwork with copper that will go green someday. I want to commit artwork in three dimensions, which I haven't done for so long it just now strikes me that it fucking hurts.

I don't know what artwork I want to commit, but I can see pieces of it, in silhouette, in hints, in lines in my mind, in the way something curves.

I would say I want to commit artwork in metal and glass, but that I know I can't pull off, I just don't have the skills. But that's the feel. Metal and glass. Edges. Lines. Curves. Negative space. Edges.

*broad, indicative gestures* Thing.


Addendum: I find my mood inexplicably brightened by the existence of a bouncing cat head for 'morose'.

Comments

[kalmn.livejournal.com]

in my experience, the trick to soldering is to use more flux. no, really. however much you're using, use more.