(Thought provoked by one of [livejournal.com profile] elisem's entry-concluding questions.)

I don't really know how to work with metal, and I don't have the . . . parts.

I wonder if the museum I dimly remember from my childhood as being in Southie still exists, and still sells random scraps and cast-away . . . bits.

I wonder if there's somewhere in Boston like the place [livejournal.com profile] brooksmoses pointed out at one point, as being a place where one could get odds and ends and bits and scraps. I think that was something he said, but my memory is shot. . . so I'll ask.

I want to commit artwork with edges. I want to commit artwork with copper that will go green someday. I want to commit artwork in three dimensions, which I haven't done for so long it just now strikes me that it fucking hurts.

I don't know what artwork I want to commit, but I can see pieces of it, in silhouette, in hints, in lines in my mind, in the way something curves.

I would say I want to commit artwork in metal and glass, but that I know I can't pull off, I just don't have the skills. But that's the feel. Metal and glass. Edges. Lines. Curves. Negative space. Edges.

*broad, indicative gestures* Thing.


Addendum: I find my mood inexplicably brightened by the existence of a bouncing cat head for 'morose'.

From: [identity profile] sashajwolf.livejournal.com


Kevin and I were having a conversation about appropriate role usage and my generalized tendency to prefer to avoid situations in which my natural personae don't fit in. He's much more comfortable doing shit like that; my comment on the matter was, "I have enough personalities in my head already." He allowed as how I had a fair point.

I think this is part of why I'm not comfortable doing roleplay. (I know it doesn't work that way for you, though.)
.

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